Jenny Milwid is the creative force behind Leveret & Hare. We've been an admirer of her calligraphy and lettering from the moment we caught a glimpse of her Instagram feed. And lucky us, she was all on board when we approached her about collaborating on a new wedding invitation suite!
Pairing Jenny's modern style with letterpress was a dream come true. We are thrilled to introduce Jenny’s hand lettered suite—an invitation and a save the date—to our wedding line. As part of this exciting reveal, we asked Jenny to tell us a little more about herself.
Can you tell us a little about how you got started in calligraphy and lettering? What first got you interested?
I’ve always been interested in letterforms, but the first time I tried calligraphy was to create invitations for my wedding. I enjoyed it so much that I started practicing regularly. I then met Erin + Rose of Forêt and I told them that I wanted to pursue it more in a professional context. They were kind enough to give me a chance with one of their projects, and the rest is history! Without the inspiration and encouragement from these talented ladies, I would not be doing what I love today.
(photo by Ruth Eileen Photography)
How would you describe your style?
I have a few different styles that I use depending on aesthetic of the project. I generally lean towards modern calligraphy, but take cues from classical calligraphy, especially Copperplate, in my line weights and rhythm.
(photo by White Loft Studio)
What is the most memorable or challenging project you’ve taken on?
This past December I worked with the award winning online shop, Eat Boutique, to create signage for their 2015 holiday market. They wanted to integrate my lettering in a variety of ways throughout the market, and the trickiest piece was creating the window signage. There were 10 windows (and 3 doors), approximately 5’x4’ in size, each. This was the first time I’ve designed and hand-lettered on such a large scale (and on a short timeline!), as the majority of my projects are 8.5”x11” or smaller. It was a great learning experience in terms of thinking through the design and application process (such as hand painting letters on windows backwards). You can watch this video to really get a sense for the space and environment we created.
(photo by Ruth Eileen Photography)
What are some creative tools/aides you cannot work without?
A pen holder, nibs (I love the Brause 361 Steno Nib aka Blue Pumpkin and Zebra G), a light table, Rhodia blank and grid paper, and Sumi ink. On the technology side, it is my Macbook Air and recent addition iPad Pro + Pencil.
(photo by First Mate)
Which calligraphers and/or artists have inspired you the most?
There are many inspirational calligraphers out there. Here are a few that have been particularly influential: Seb Lester, master penman Jake Weidman, Written Word Calligraphy, Mon Voir, Molly Jacques, Jessica Hische, and Dana Tanamachi.
Still can’t get enough? You can find more recent work by Leveret & Hare in Style Me Pretty and Boston Weddings. Thanks, Jenny!
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HANDDRAWN HOMETOWN. Lauren and Pete enthusiastically approached us about illustrating a view of Marblehead, Massachusetts for their invitation. Deb’s family lives in this North Shore town and so she got to drawing right away, nailing its seaside charm and landmarks. The end result was a heartwarming suite that felt like home. When you receive emails from clients that begin with “it’s like Christmas morning!” you know you’re on the right track!
SOMETHING BLUE. Even though Sonya and Chris were too far to meet in person, I was taken in by their warm personalities and southern charm. For their black tie wedding at the beautifully restored historic Swan House in Atlanta, they chose traditional text with accents of flourished calligraphy (by Jan Hutchinson) printed in silver. Incorporating hints of pale blue added a sweet touch that kept with the romantic and timeless look.
BEACHY REDEFINED. Shilpa and Lars were planning a destination wedding overlooking the beaches of Bermuda. And while they were excited to lounge in the pink sand and catch up on their golf game, their invitations needed to convey their elegant and formal affair. They chose a traditional layout with a custom motif printed in warm metallic gray and sage. A belly band with their initials completed their classic suite.
We love you too, Boston! We are so grateful for all of our fans. Because of your support, Boston Magazine named us
TWO WEEKS. That's the (extremely short) amount of time Clayton took to imagine and impeccably craft together his sister's wedding invitations. About nine in ten of his questions were met by incredulous looks from us. You want to do what? You need these finished by when? But in his ever upbeat and determined way, he turned his sister's love of Shel Silverstein's The Giving Tree into one of the most extraordinary invitation suites. From Clayton's rustic hand lettering, fold-out map, custom invitation pocket right down to the calligraphy and coordinating stamps, you could not be more excited to celebrate with everyone at his family's almond farm! We're especially thrilled you can 